In a recent article on 'Clouding knowledge in the Anthropocene', Kate Lewis Hood proposes a "cumulative reading - where cumulative shares an etymological root with cumulus, a type of cloud (OED, 'cumulate') - that shifts from clear skies to fog, between atmospheric transparency and opacity" (2018: 83). Exploring poetry including The Weather by Lisa Robertson and Drift by Caroline Bergvall, Lewis Hood suggests that "such experimental practices enable a shift from asking whether to read or interpret in a certain way to engaging with the weather system of a text: its unpredictable changes and complex patterns" (2018: 185). If today's weather system in London was a text, it might read like this passage from Robertson's The Weather:

Our skies are inventions, durations, discoveries, quotas, forgeries, fine and grand. Fine and grand. Fresh and bright. Heavenly and bright. The day pours out space, a light red roominess, bright and fresh. Bright and oft. Bright and fresh. Sparkling and wet. Clamour and tint. (Robertson, 2001: 10)