After an early morning appointment near London Bridge I paid homage to a site that hosted one of the first 'satellite seances' of open-weather in August 2019: Mint Street Park. As I set up my ground station next to a large flock of pigeons at the top of the park's terraced mound, I remembered the gathering of people who had participated in a satellite pass and poetry reading (by JR Carpenter) at the same location almost five years ago, as part of a series of gatherings and a reading group called 'Weather or not', led and curated by Arjuna Neumann. Soph and I contributed regularly to the reading group and discussion sessions for several months before open-weather was initiated. Today, the air is far colder and my laptop is speckled with rain. I ask a lone walker to take a photo and he takes fifteen. Later, I am meeting the author and scholar Jean-Thomas Tremblay for coffee in central London. They are visiting London for a conference and it is a rare chance to meet a North American scholar who I admire so much. Tremblay wrote the incredible book Breathing Aesthetics (Duke, 2022) that has circulated widely in the humanities and has inspired entire exhibitions in Canada, and I was asked to review it. The review came out last week. Over coffee, at the end of a conversation about book writing, air scholarship, environmental humanities and 'negative action' (another forthcoming book by Tremblay) I show them the satellite image and ask if they would like to contribute to this weather note. This is a half-typed, half paraphrased record of what Tremblay generously offered: "In the context of the Palestine solidarity movements I am thinking about the lack or absence of the possibility of gatherings for resistance [in London]. I am thinking a lot about denouncement... this has been a bit uncanny to see [here]. When I was in New York City a few weeks ago there was an omnipresence of the performance of politics (in the most generous sense of performance), and I've been looking for it here"